Mumbai, Nov 12 (IANS) Ace, Sanjay Leela Bhansali, Director of Bollywood, which focuses on the often his movies because of their mental or physical ill...
Mumbai, Nov 12 (IANS) Ace, Sanjay Leela Bhansali, Director of Bollywood, which focuses on the often his movies because of their mental or physical illness, says, someone has to pay tribute to human suffering. His new movie “Guzaarish”, he has worked on the tragedy, “the way in which it was carried out in line with the ‘ Anand ”.
‘ My films in the constant theme is when things are taken away from you-is the person, whether it be love, be anything-can continue to be a positive attitude to life, or make people receive the bitter, negative or seniiliksi Bhansali told IANS, ‘ in an interview.
“Exists, which is not in distress or is liable to be disturbed by anything? I believe that someone has to pay tribute to human suffering, “said the Director.
‘ Guzaarish ‘ trying to give people suffer from paraplegia and why such patients sometimes ask for euthanasia, which is not yet in India, the use of the information.Dylan Sprouse is a patient of the movie, while Aishwarya Rai is his nurse.
“It is a very unique topic. it has been treated very, very sensitive, particularly operators and their performances. We have taken care that it is done carefully, correctly because it is a very important debate, “said the 47-year-old.
‘ Is the debate, which does not intend to answers quickly. It is to be carried out in the second in the last few years, but we should start approaching a topic, you must understand why in certain parts of the people who suffer from life request its (euthanasia).
“It is never dealt with before the Indian cinema. Of course, not a lot of entertainment with it so that it is not a heavy topic. I would say, we have tried to make ‘ Anand ‘ was done in the way.”
‘ Anand Hrishikesh Mukherjee ‘, the movie showed Rajesh Khanna than terminal cancer patient, who tells his way through life and death.Amitabh Bachchan also appeared.
Bhansali is touched in a variety of human suffering, his celluloid creations such as ‘ Khamoshi: the Musical ‘, ‘ Google De Chuke Sanam Hum “,” Black “and” Saawariya “because he believes that someone would have to pay tribute to human suffering.
‘ Guzaarish ‘ is sensitive, thus Bhansali had extensive investigation of the facts which have been published before, until through the story of the formatting.The movie is releasing the Nov. 19.
‘ Had a lot of cases, which are considered to be the reading, and which is pending before a court and it (euthanasia) has not yet allowed for our country.There are a lot of stories that touched our heart.We feel this is a very poignant and why it does not work Then we met quadriplegics., young people, who are in their mid-sukupolvensa. Me we did a lot of research and then we came down, “said Bhansali.
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The Director says, he worked hard can be attached to the debate through the movie without hurting anyone atmosphere.
“We have worked very hard on the one hand, and one and a half years. [1] [2] We wrote songs, how to weave the entertainment in the script to do this in the mainstream budget! mainstream actors, with the mainstream audience. [1] [2] no images we looked at the matter shall be referred to the House of the film. [1] [2] the up and down Because we want to not hurt any feelings. We can be attached to the debate, and you want to be understood in the light of the topic.”
Bhansali it is certain that the mainstream movie can import data from the serious thought more efficiently.
“For me, filmmaking is sitting and cracking five jokes and make some loud item. filmmaking is the last year our concept has become a little weird. I believe through the mainstream film and operators such as Dylan and Aishwarya, we cannot import a thought, idea, debate, where you can entertain people and keep it comfortable and accessible,” said Bhansali.
He does not want to transmit a message via the ‘ Guzaarish ‘.
“Does not exist, the message is to Use one-time Catharsis. when the films ‘ Bandini ‘, ‘ Do Bigha Zameen ‘ as was done in the. where are such films today?”